The European Institutions have been concerned about the impact of digital technologies for many years. In the past five years, they have had the creation of a Digital Single Market (DSM) as a priority concern, with the DSM Strategy adopted by the European Commission in May 2015.
Given the importance of distribution of audiovisual product for the online market place, it is not surprising that this involves a number of regulations and directives which will have a significant impact on the ecosystem of audiovisual industry and culture in Europe and beyond.
Ensuring that screenwriters concerns will be properly addressed in the implementation of this considerable body of new legislation on production and distribution of audiovisual content is and will continue to be a priority policy concern of FSE for the next period.
The goals FSE set itself in respect of this new legislation in its three year plan in 2015 have each been addressed in subsequent legislation, especially in the Copyright Directive, which, among many other changes :
It is ambivalent about the prospect for an Unwaivable Right to Remuneration for Online Distribution, but clearly acknowledges the imperative of licensing online uses.
The implementation at national level of Chapter 3 of the Copyright Directive in particular will be a policy focus of FSE and its member guilds.
This important Directive intended, among other issues, to introduce transparency into the work of Collective Management Organisations (CMOs), who collect and distribute considerable amounts of money on behalf of creators.
The Collective Rights Management directive will be reviewed in the next years. FSE will pay careful attention to this review process.
Ahead of the European Council meeting on 15–16 October, FSE joins European film and audiovisual organisations in opposing the proposed 30% reduction to the AgoraEU budget.
On 7 October, FERA, FSE and SAA welcomed MEPs and European directors and screenwriters for a dinner, co-hosted by Sabine Verheyen, Vice-President of the European Parliament and Emma Rafowicz, Vice-Chair of the CULT Committee.
FSE and 13 organisations of authors, performers and other artists and cultural workers sent their joint comments and voting recommendations on the proposed amendments to the AgoraEU programme.
FSE supports a joint statement to call on the Member States to keep a separate financial framework for the audiovisual sector in the new programme for culture, media and democratic values.
Audiovisual authors call on the EU Parliament to hold the Commission and Council accountable to EU values during a dinner with MEPs in Strasbourg.
FSE co-signed a letter addressed to MEPs, members of the Legal Affairs (JURI) Committee of the European Parliament. Together with other creators’ organisations, we make recommendations on the proposed amendments to the JURI Committee draft report on copyright and AI.
FSE joins a coalition of rightsholder organisations to express dissatisfaction with the AI Act implementation measures adopted by the EU Commission.
FSE co-signed this open letter. We call on EU leaders to:
1. Keep Creative Europe stand-alone
2. Double its budget
3. Invest strategically in culture’s future
FSE co-signs a Joint letter to the European Parliament’s JURI Committee on the upcoming own-initiative report on copyright and generative AI.
FSE is part of a broad coalition of organisations in Europe’s creative and cultural sectors. Together they launch a campaign on the #AIAct. Keywords: Transparency. Consent. Remuneration. They call on EU policymakers to #StayTrueToTheAct.